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THE MAKING OF THE MAKING OF
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TMOTMO was a research project taking place in NADINE, Brussels. The project had several entry and exit points, questioning general modes of working, methodologies and relations to technology and media. The entire process was divided into different layers of work, some very practical, others mainly theoretical, a trajectory resulting in two different modes of documentation/presentation. One being a book, the other a triple video screening. The book will be published in September. You can watch the video work here:

In the ten weeks of work various practical approaches on how to examine the difference between media like cinema, live performance, oral expression and animation were tested. The videos are partly a documentation of this process and partly a model under construction, an attempt to create a model for live performance making that is constantly in negotiation with other forms of mediatised expression. It is to a potential performance what a screenplay is to a movie or a script to a play. A model for interpretation and transformation.

people involved in chronological order: Mette Ingvartsen, Mårten Spångberg, Peter Lenaerts, Elke Van Campenhout, Andros Zins-Browne, Bojana Cvejic, Sandra Iche, Anne Juren, Mette Edvardsen, Manon Santkin, Kajsa Sandstrom, Eleanor Bauer, Jefta van Dinther, Anne-Linn Akselsen, Justin Garric, Lucia Glass, Heike Langsdorf, Camilla Marienhof, Tawny Andersen, Inneke van Waeyenberghe, Peppe Ostensson, Maria Winton

video credits: camera: Inneke Van Waeyenberghe, Mette Ingvartsen, Peter Lenaerts | editing: Mette Ingvartsen, Peter Lenaerts | sound design: Peter Lenaerts